Oscar-winning British playwright Tom Stoppard passed away at the age of 88 on Saturday, his agents said, according to media reports.
United Agents said he “died peacefully at home in Dorset, surrounded by his family.”
“He will be remembered for his works — for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language,” the agency said. “It was an honour to work with Tom and to know him.”

In a statement, King Charles III and Queen Camilla said they were “deeply saddened” by the death of “one of our greatest writers.”
Stoppard remains one of the most celebrated and influential playwrights of the contemporary era, known for his sharp wit, intellectual depth and extraordinary range. Born Tomáš Straussler in 1937 in Czechoslovakia, Stoppard spent his early years as a refugee before settling in Britain — a backdrop that would later inform the themes of exile, identity and political freedom in his work.
Stoppard’s breakthrough came in 1966 with “Rosencrantz and Guildenstern Are Dead,” a bold, absurdist reimagining of Shakespeare’s Hamlet that turned two minor characters into philosophical protagonists. The play earned him the 1968 Tony Award for Best Play, instantly establishing him as one of the most original voices in English theatre.
Over the next several decades, Stoppard built a body of work that pushed the boundaries of dramatic writing. His best-known plays include “Jumpers,” “Travesties,” “The Real Thing,” “Arcadia,” “The Invention of Love,” and “Rock ’n’ Roll.” His most recent work, “Leopoldstadt” (2020), is widely regarded as one of his most personal and powerful pieces, revisiting his Jewish roots and the trauma of European history.
Stoppard’s influence extends beyond the stage. In film, he won an Academy Award for co-writing “Shakespeare in Love” (1998) and contributed to several major screenplays, including Brazil, Empire of the Sun, and Anna Karenina. Known within the industry as a gifted script doctor, he worked on a range of high-profile Hollywood films, often without credit.
Across his career, Stoppard has received four Tony Awards, an Olivier Award, the Order of Merit, and a knighthood for his contributions to drama. His advocacy for human rights and artistic freedom — shaped by his own displacement during World War II — has also been a defining part of his public life.
Regarded as a dramatist who bridges philosophy, science, politics and comedy, Stoppard’s works continue to be staged worldwide and remain staples of academic study. With a career spanning more than six decades, he stands as one of the defining playwrights of the modern age, his legacy marked by intellectual curiosity, stylistic daring and enduring cultural impact.
